悼亡儿之歌原名:Kindertotenlieder,
Kindertotenlieder constructs the chronology of the 2005 riots, starting with the death of Zyed Benna and Bouna Traoré, who were chased by the police, through to the curfew imposed by Sarkozy as Minister of the Interior. The film has borrowed its title from a group of poems written by Friedrich Rückert in 1834 following the death of his two children and later put into song by Gu...
无数种新闻素材剪辑组合,就能有无数种测声。导演把测声逐出场外,任由母带素材去呈现客体说过的话,不失为保住了一些客观的成分。
@ cinémadureel 即便仅仅是对电视新闻素材的再利用,韦尼耶仍然描绘了一个非常作者化的反乌托邦世界,延续了他作品强科幻感的现实主义。
更短促,希望长片恢复《索非亚园区》的步调。最后几镜非常几何。
韦尼耶电影里的世界最终都会变成这样吧。
让我想起了肯·雅各布斯的《Perfect Film》,有趣的是可以同时看到官方话语如何被建构,和对素材的重组又如何去重塑话语,两股力量互相渗透的过程,我基本没什么抵抗力。