致安东尼奥尼原名:Querido Antonioni,
The Punto de Vista film festival invited a series of contemporary directors to make short film-letters, addressed to other directors they admired but had never ****** person. Among others, Lynne Sachs wrote to Jean Vigo, Nicolás Pereda paid homage to Chantal Akerman and Alejo Moguillansky greeted Antonioni. Because cinema is also a way of connecting, getting to know each other ...
霍乱时期的情书,最后一幕的“蚀”绝了 #The Letters That Weren’t and Also Are#
前半段《蚀》的证券交易所的声音与空间的展示,图像到话语再到**的影像价值。以及安东尼奥尼在《666房间》的思考的回应。而后敞开城市空间,呈现《过客》的空间与距离的调度,《**沙漠》的颜色以及人与机器的关系。提到了卓别林与雅克塔蒂。再次重返《奇遇》的利斯卡岛寻找目光以及声音,画外音持续的表白。最后还是回到《蚀》,似乎找到了目光,却都被遮挡物掩盖。很有趣的呼应。3.8